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Konica film SLR camera eye-level finder design Part 2 !

column

camera

at first

I’m sorry

Because we can’t speak english

I am using DeepL translate, so it may be a strange sentence,

but I would like you to understand

Thank you


This is the second installment of Konica’s eye-level finder!


This time we will look at the eye-level finder design of this manual focus film SLR camera released in 1976, comparing it to the FS-1 released in 1979, which we introduced in the previous issue.



KONICA ACOM-1  (Reference product)


It is a manual focus film SLR camera with a steel body and black color.
The body is one size smaller than the FS-1.


Front. 
The base design emphasizes the manufacturer’s logo.


Comparison with FS-1. 
You can see the difference in thickness of each surface.

FS-1


This is an angle from an angle. 
You can see the design of the front part of the accessory shoe.


Comparison with FS-1.
You can clearly see the difference in the shape of each aspect of the overall design.

FS-1



View from the side.
You can see the unique side design of ACOM-1.


In FS-1, the angle toward the rear of the top surface is considerably different than in ACOM-1.

FS-1
FS-1


Top surface.


The difference between all surfaces can be clearly seen from the top.

FS-1


This is the back side of the ACOM-1, showing that it is an eye-level finder with a gently curved, almost straight line design.


FS-1 is also basically a straight line, but it has a smooth shape based on curves. 
You can see that the curved surface is emphasized more than ACOM-1.

FS-1


In this article, we compare the eye-level finder of Konica’s 1976 release ACOM-1 with that of the 1979 FS-1.


The eye-level finder design of the ACOM-1 is unique compared to the FS-1.
Three years after the ACOM-1 release, the FS-1 was introduced, but it seemed to have lost its unique design feeling. 


If I have a chance, I would like to write another column about Konica’s film SLR cameras.


Thank you again for reading my column.



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Writer Takashi Okumura


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